|Member since||July 09, 2006|
|Influences||eric weissberg, bob yellin, eddie adcock, don reno, don stover, obray ramsey|
David Gedalecia began playing folk music as a teenager amidst the Folk Revival of the late 1950s. He learned bluegrass banjo by watching five-string virtuosos Bob Yellin and Eric Weissberg (both of the Greenbriar Boys) in Washington Square Park in New York City’s Greenwich Village and by listening to, and slowing down, records and reel-to-reel tapes.
He played banjo with Mike Michaels (mandolin) and Jonathan Aaron (guitar) in the Stony Island Boys, a bluegrass trio that performed in 1960 and 1961 at numerous concerts at the University of Chicago (where the three were undergraduates), at the University of Michigan Folk Festival, and for a Harvard University International Seminar taught by Reuel Denney (co-author with David Riesman of "The Lonely Crowd"). The group recorded at WUCB, the University of Chicago radio station (remastered to CD) and also gave a concert of its own at the Woodstock Playhouse in upstate New York in the summer of 1961.
From 1961 to 1965, he and guitarist Mark Faurer (the son of New York School photographer Louis Faurer) gigged around New York City at the Interlude Cafe and in Greenwich Village, and they
were recorded by Grammy Award winner Norman Dayron in December 1963. A remastered CD of this session, "Match Play,"
was issued in 2003. (For a sample, see the YouTube video: www.youtube.com/watch?v=tepOnBvATX8).
Between 1965 and 1971, he pursued a doctorate in Chinese history at Harvard; married Pei-hsin Chia 賈培新 (1967), an IT specialist at New York Life, John Hancock and Rubbermaid; A&R-ed in Boston the recording of "A Tribute to Martin Luther King" (1968), written by Muddy Waters and sung and played by Otis Spann; and began a teaching career in Chinese studies at the College of Wooster in Ohio (1971), where he is the Michael O. Fisher Professor of History. He has written two books, several articles in journals, and chapters in edited volumes on early modern Chinese intellectual history and U.S.-China relations, and he has studied, lectured and done research in China and Taiwan.
Beginning in 1973, he played banjo and guitar in northeast Ohio as a member of the Bluegrass Express (Bob Brooks, mandolin; Paul Suttle, banjo; Sandi Suttle, bass). The group played at the College of Wooster Bluegrass Festival in 1978, opening for Earl Taylor and the Stoney Mountain Boys; the Whispering Hills Bluegrass Festival in 1980, opening for Jim and Jesse and the Virginia Boys; and the 2001 Kidron Folk Festival, with fiddler Adrian Lo, as the Bluegrass Reunion, among many gigs over the past 25 years.
In 2004, he and fiddler Charlene Adzima, a College of Wooster graduate in Geology and member of the Celtic group Oisre, recorded the CD "Woograss," featuring a selection of fiddle and banjo duets (available at: www.wilsonbookstore.com), and performed at the Ebert Art Museum on the Wooster campus, where he played banjo and guitar.
Over the past several years he has played and recorded in southwest Florida with the Sawgrass Drifters (Roli and Mickie Scholl, and Dan O'Connell) on the CD "Down the Road" (2005), with the group Studio 325 (Rich and Elaine Bott, and Bob Juntenen) on the CD "Close To Home" (2006), and with Louie Salvatore in the American Folk Trio. He has also played banjo, guitar and dobro at various gigs in northeast Ohio with Marcus Ladrach in their old time country music duo the Wayne County Ramblers; with folk and blues singer Michelle Massaro; and with the Backroom Boys Bluegrass Band. In June, 2011 he gave an American Folk Music concert for students and faculty at Southeast University 東南大學 in Nanjing 南京, China.
His daughter, Julie, is an Instructor in Dance at Skidmore College, and she owns, and teaches at, the Saratoga City Ballet, a dance company and school in Saratoga Springs, New York. His son, Derek, works for the San Francisco Museum of Modern Art and for Electronic Arts, Inc. and performs original experimental electronic music in the Bay area, as well as hosting a local radio show featuring contemporary avant-garde sounds.