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Caroline Herring - Camilla

HEAR IT FIRST ~ Caroline Herring: Camilla

by Kim Ruehl, for FolkAlley.com

There’s something about the way Caroline Herring delivers a line like, “Mama, sweet mama, where are you going with all your babies and that casserole?” Indeed, this is the opening line of “Camilla” – the title track on her new album – and it sets the tone and scene for the rest of the exquisitely written songs included therein. You know even as she’s delivering that line, this isn’t just a single song. This is a world in which women know they must take a casserole with them when they’re trying to appeal to justice. (The next line: “I’m going to the jailhouse in Camilla, Georgia, to see a woman and ask for her parole.”)

You can listen to Camilla in the same way you might drive through such a town. If you’re just passing by, it comes off as a pretty little thing. Sure, it has its imperfections, but it’s not unlike a number of other small towns through which you might pass.

But, dive in, and you’ll be endeared by women taking casseroles to the jailhouse, little girls chasing fireflies even as tradition gets destroyed around them, people singing “This Land Is Your Land”, people lamenting about their hard summer. It’s a difficult world in Herring’s Camilla (a real town, mind you, just south of Albany, GA, with a population of 5,669).Caroline Herring - Camilla

According to the songs, race relations there are tenuous at best, but the characters here maintain a certain level of defiance and hope. By the end of the disc, they’ve come to the conclusion that “Joy Never Ends”.

Granted, Camilla isn’t presented as a folk opera. It’s quite possible some of these songs are about different places and things (the 3,000,000 people afraid to share their name in “Maiden Voyage,” for example, are clearly not all in Camilla, GA). But the themes consistently tie back to the South, the small towns, the places where people “fight to keep on living” (as they do in “Until You Go”), despite inequity and other barriers we create for each other for no legitimate discernible reason.

As topical as the songs come off, these aren’t protest songs in the history of protest music. These are just stories about real people struggling, failing, succeeding, and just getting by – the kinds of songs Woody Guthrie might be writing these days, in other words.

**Click HERE to order Camilla from Signature Sounds!**

 
 

 




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Comments


nice sound. Like your vocals & instrumentation. Old & new at the same time. Good work

Posted by Robert on August 24, 2012

 
thanx heaps, love Camilla! Love Caroline! ;)*

Posted by moondingo on August 24, 2012

 
When I first heard her song, "The Dozens," I fell in love with Caroline Herring! Her voice and her presentation add up to magic as well as some deep sense of what is going on internally. There is a deep honesty about her songs and even her interpretation of the songs of others. Here, she shines brighter than that "White Dress"! Keep shining on me . . . .

Posted by Anyse on August 22, 2012

 

Posted by Brian on August 22, 2012

 
A brilliant album - Caroline's best, and that's saying a lot. I'm anxious to read the lyrics and see if they read like poetry as much as they sound like poetry. Caroline Herring and Kate Campbell as true chroniclers of the South, every much as William Faulkner and Harper Lee.

Posted by Tracey Arpen on August 21, 2012

 
I've been a fan of Caroline Herring since I heard her CD "Wellspring" and "Camilla" is another winner! Beautifully written songs. Thanks for sharing Folk Alley!

Posted by Janet on August 21, 2012

 
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