1 By the Grace of the Sun
2 Way Down Deep
3 Woodstock - Richie Havens, Mitchell, Joni
4 We Both Know
5 Dusk
6 Red Flowers - Richie Havens, Neil, Fred
7 All Along the Watchtower - Richie Havens, Dylan, Bob
8 When
9 Scarlet Flames - Richie Havens, Hammer, Jack
10 Pulling Up the Stone

From Amazon.com

folk music

 Album Rating: (4 of 5 stars)

Review Comments: Love this CD. I bought it just after seeing Havens in concert in Chicago. He was amazing live, and I just had to have one of his CDs. Even my kids enjoy his music on this CD.

Karen

The Flame Still Burns

 Album Rating: (4 of 5 stars)

Review Comments: For a brief period at the turn of the 1970s, Richie Havens was a bona fide semi-popstar. He never sold many records and didn't have any hit singles, but his passionate performance captured in the film and soundtrack album of the Woodstock festival brought him a considerable cachet of coolness within the counterculture and on college campuses.

From the opening lines of Havens' new CD, Grace of the Sun, it's clear this troubadour hasn't lost one bit of his distinctively soulful voice. Indian percussionist Badal Roy's tabla blends with the singer's own trademark open-tuned strumming to take the listener back to the days when the music really mattered. After the upbeat second cut, "Way Down Deep," you're pulled into the music, rockin' in rhythm just like Richie himself as he wowed the Woodstock crowd with his improvised riff that became known as "Freedom."

Ironically, track three is Joni Mitchell's "Woodstock." While an appropriate number for this great interpreter to tackle, he approaches the song more like Joni's own somber version than like Crosby, Stills, Nash & Young's rocker, and at six minutes long, it drags. Unfortunately, the disc drags in several other spots along the way, and a certain sameness threatens to take hold as the program progresses. It's not that the tempos are slow, for there is rhythmic variety, but the overall tone of the album feels down, almost mournful.

There are some nice sonic touches within the arrangements, and the instrumental "Dusk" has a delicious world music ambience with electric sitar and Turkish violin. However, the individual components of the acoustic guitar army employed on most cuts get in the way of one another at times.

Havens has always been a master at reinventing Dylan tunes, but choosing the oft-covered "All Along the Watchtower" leaves little room for originality. Better is his original "When," which borrows liberally from the chord structure of "Just Like a Woman," giving a point of reference to a questioning lyric that says, "Our dreams have all been raided/by every type of greed/Our freedoms have been traded/along with everything we need."

"Scarlet Flames" opens like a remake of "Handsome Johnny," then evolves into a call for action to "help your brother, love one another" and "stand up and sing while you do your thing." Now this is more like it!

It's obvious that Richie Havens has not given up the fight, for you can hear the commitment in his music as he stands tall within the Grace of the Sun.

Copyright 2004 Port Folio Weekly. All Rights Reserved. Used by Permission.
Originally published in Port Folio Weekly 12/14/04.

Great CD

 Album Rating: (5 of 5 stars)

Review Comments: I was really happy with this CD because it sounded very much like what I heard Richie do in Concert last year (end of 2005). Acoustic guitar, bass and percussion are the main instruments. Very nice and motivating music.

A spiritual musical journey...

 Album Rating: (5 of 5 stars)

Review Comments: Richie Havens, employing his signature D guitar tuning, delivers a gem with Grace of the Sun. Taking a recent interest in American and world politics, he gears his songs toward this subject matter with his covers of Bob Dylan's "All Along the Watchtower," and Fred Neil's "Red Flowers." Havens' percussive strumming helps to build energy, fuelled by his unmistakable voice, which resonates with decades of passion for freedom, truth and justice.

It is this credo he has spread the world over since performing as the opening act of the Woodstock folk music festival in 1969. In tribute to the 35th anniversary of the festival, Havens performs a spirited rendition of Joni Mitchell's "Woodstock." A wonderful folk song by Mitchell and a spirited rock anthem by Crosby, Stills, Nash and Young, Havens delivers what can only be called an epitaph for those individuals who were daring enough to dream of peace, and beautiful enough to make that dream a reality, even if only for one weekend.

This, his second release in as many years, reflects Havens at his finest, as he appears to be approaching a new outburst of creativity in his already storied tenure as a folk legend. In a career closing in on 4 decades of performing and recording music, the multi-talented Havens has recently began exploring photography, painting, and even digital art, seeking new ways to express himself. While Havens may be proving that an old dog can learn new tricks on Grace of the Sun, he still comes through with the classic Havens sound on his covers as well as a few originals. A must own for any Havens fan and a good intro for any curious listener.

Better Than Ever!

 Album Rating: (5 of 5 stars)

Review Comments: I have been a fan of Richie Havens for approximately fifteen years, during which time I have gotten copies of most of his recorded material. Grace of the Sun has not left my CD player since it arrived in my home in early August. Actually that's not totally true - it has accompanied me in my car for a wonderful drive home to NYC.

This album shows Richie at his best. His skills as a writer and composer are honed to a razor sharp edge. His choice and interpretation of covers are perfect. Joni Mitchell's "Woodstock" gets a new lease on life for its 35th anniversary. Fred Neil's "Red Flowers" is an especially moving ballad, perfect for our current troubled times.

Havens' original songs are nothing short of fantastic and make this album a perfect and well rounded work of art. While the great quality of all of the original songs makes it impossible to pick a favorite, the trippy eastern influenced instrumental, "Dusk" is the most uncharacteristic composition on the album, showing off Havens' well developed skills as a composer.

If you don't own this album you owe it to yourself to grab a copy.