1 Latitude
2 The Narrows
3 New Cimarron
4 Sam I Am
5 Altitude
6 Rock Paper Scissors
7 Miasma
8 Goodbye Victor
9 Rayburn Avenue
10 A New Leaf
11 33

From Amazon.com

better than the 1st 2

 Album Rating: (5 of 5 stars)

Review Comments: real quickly, i shall say that this is yet another fantastic product of flinner, grier, and phillips. in addition the listener is also given a healthy dose of stuart duncan and flux. as usual the tunes are all original. if you like either of the first ones, you have no other choicce than to love this one.

String Jazz Magic

 Album Rating: (5 of 5 stars)

Review Comments: Prepare to be impressed.

The foundation of this record, as with "The View From Here," Flinner's solo debut, is his fresh songwriting. Claiming influences as far a field as jazz great Miles Davis, Ireland's Bothy Band, and, yes, David Grisman, Flinner gins these into a coherent approach to crafting melodies and rhythms that not only captivate on their own, but provide a solid structure for the improvisational work that really makes this recording shine.

With talent like David Grier on guitar, Todd Phillips (Grisman's original second mandolin player for the David Grisman Quintet) on bass, Jerry Douglas on Dobro, and Stuart Duncan and Darol Anger taking turns on fiddle, there's bound to be some fireworks. They do not disappoint. The licks are clean, creative, and varied. Phillips extends the voice of the bass beyond the expected. Grier stuns with his musical ideas. Flinner makes his mandolin sing, bark, chime and chirp. Duncan is solid throughout, and Anger is just plain spooky.

The dramatic shifts in dynamics and rhythm from song to song (and within pieces) may surprise listeners more accustomed to the steady barrage of sixteenth notes and the 2/4 thwack common to string music from string bands with bluegrass or old-time backgrounds. This record so defies that stereotype that it seems more fitting to give this label other than "newgrass." True, these musicians' experience draws from the rich traditions of American string music, but you really only need one word to describe this mix of creative songsmithing and masterful improvisation: jazz.

Where Miles would give you a nudge from somewhere within the pentatonic scale in a place you don't expect, Flinner gracefully fills the space with amazing mandolin tone. Where the Bothy Band didn't stray too far from traditional form in their approach to music, Flinner creates his own while tipping his hat to our music's Celtic ancestry. And where David Grisman relies on the pioneering ideas of Django Reinhart and the groovy forms of Caribbean and Brazilian jazz to guide much of his jazzier work, Flinner draws from bop and funk to drive his tunes.

I'm already looking forward to the third record ...