Cain Park, Folk Music Listings
Festival Link

Apple iTunes


Cookin' with New Releases; Better Read this before you order:

April 19, 2008

KP_COVER.jpgKensington Prairie ~ Captured in Still Life
With the number of submissions to Folk Alley increasing every month (easily over 200), it has become cumbersome to find the good ones. An artistic eye-catching cover can help. That's what made us notice the Kensington Prairie CD, and the group is being rewarded for their detail, because once we heard what was inside we knew you had to as well.

The overall mood is dreamlike, yet thoughtful. The instrumental mix is unusual: guitar, cello, vibraphone, harmonica, Wurlitzer, glockenspiel, and an unconventional and understated banjo. The various combinations support singer and writer Rebecca Rowan who is the main focus of this band (or maybe orchestra?). Rowan uses her imagination well. In "A Million Skies" she looks up on a clear night and sees another's eyes in the stars. She smartly uses analogy in the song "Bluebird," comparing a slipping memory to the fleeting bird. During "Crooked Things Straight" she helps us realize that we can't always change sadness, but she provides kindness through a wish.

Kensington Prairie may eventually be referred to as Vancouver's version of Brooklyn's "Hem," the easiest comparison for me to make. Listening to Captured in Still Life is like being treated to a new restaurant where every meal is rewarding. This CD is that good.


crookston2.jpgJoe Crookston ~ Able Baker Charlie and Dog
Joe Crookston has arrived. He has matured as a writer and has filled out his sound
with choice musicians. Most of the songs uncover for us the stories of ordinary people from today and from history, in challenging situations. "John Jones" was a Virginia slave who escaped but dared to return and helped gain freedom for 800 others. "Freddy the Falcon" is a 17 year-old skateboarder and artist who came from a difficult background. Joe spent time with incarcerated youth in the Seattle area and created songs documentary style; he sings as Freddy, 1st person narrative. The album's title is about his grandfather who was stationed on Tinian Island during World War II and made runways such as the one used by the Enola Gay.

These songs are smart, offering the listener insight as well as entertainment. Richie Stearns and Judy Hyman of "The Horseflies" fill out the sound and add variety. This album leaves you feeling impressed, and continuing with our restaurant analogy, you'll come back for seconds.


peech.jpgPeech ~ Peech
Ouch. This one hurts. Here's an example of an eye-catching cover that rewards you with nothing. "Peech" is Chelsea Dohermann and Megan Osborn from L.A. They are young singers who recorded too early in their careers. The songs are full of cliches about broken hearts and they resort to foul language which is not only childish and offensive, it's a cheap shortcut to good writing. Every song sounds the same and it's all noise. Perhaps Peech was sent to us by mistake. This CD is a mistake.


jackson.jpgJackson Browne ~ Solo Acoustic Volume 2
When we received Solo Acoustic Volume 1 a couple years back we were instantly anxious for Vol 2. Both recordings are intimate performances with Jackson and his collection of guitars and reminiscences. (He switches to piano on occasion.) This latest collection doesn't include as many instantly familiar songs as the first, but if you are a Jackson Browne fan you'll know them or you'll want to.

"Enough of the Night" offers comfort to someone who's really down, and reminds that person of his or her reputation for spirit, daring, and satisfaction. This act of kindness is admirable and a reminder for us how necessary we can be as friends. "Alive in the World" is another wonderful message directed straight to someone who has lost interest in participating in life. We've all met people this down. We've all been this down. My question is - how did Browne know? How is he able to look into your soul and then offer a hand up through music when no one else is able? He is a songwriter and melody maker to be sure, but he is also a counselor and part-time angel. Listening to these very folk-like recordings when you're feeling good will make you feel better. When you're down, Jackson Browne will pick you back up. Either or both of these volumes would make excellent gifts to important friends - or to yourself!

Jim Blum 4/19/08

Posted by Jim Blum at April 19, 2008 12:46 PM


Comments

Kensington Green sounds an awful lot like The Sundays- I listened to Reading, Writing, and Arithmetic in the early nineties and hearing this sound really takes me back. I have not heard the whole CD, but I do not hear the similarity with Hem.

Enjoyed the reviews-

Posted by: Shannon at April 24, 2008 11:18 PM

I meant Kensington Prairie- not green!

Posted by: Shannon at April 24, 2008 11:36 PM

Re Peech: I expect Jim was right that the CD was sent to FA by mistake. Their sound, which I thought was very polished for girls their age (one still in college, one just out), seems to be going for a different kind of commercial outlet. I hope they didn't read the review; at that age I would have been massively discouraged by it, especially untempered as it was by any nod to their musicianship or anything specific toward a higher level of songwriting. Though you never know -- sometimes a strong kick makes for a kind of epiphany. I just didn't expect to see it here.

You get so many CDs submitted here, and review so few. Why not reserve the review space for the ones you're excited about?

Posted by: Joan Kennedy at May 7, 2008 2:57 PM

Because we're on a college campus, we often get CDs that are really intended for the student station (which we are not) - I suspect that's how the Peech came to us. I liked it, but I tend towards music that's a little harder edged. You raise a good question about the reviews. We all felt that a constant list of raves would challenge the integrity of the comments. If Jim is seen as loving everything, people may not appreciate his discernment. So we suggested that at least one review in each set be of a CD that he criticizes. People get lackadaisical in a world of hearts and flowers.

Posted by: Ann E VerWiebe at May 7, 2008 4:18 PM

There's a songwriter website I hang out at, and it has message boards from people who specifically ask for critiques. The critiques generally thought to be most helpful quote from the work itself and acknowledge both strength and weakness, with specific recommendations for more of this and less of that. It's not hearts and flowers by any means, it's input that can help the artist and any lurking songwriter reading the critique. It's not about making people sorry they submitted their work. People who are obviously very young and/or inexperienced are treated gently and respectfully, and over time it's wonderful to see their work mature. Of course, sometimes it matures into the pungent and cynical, but at least the sense images often get more effective.

And, right, reviews fill a different need from critiques. A good pan can warn buyers away from an overhyped product. But as folk recordings - and student recordings- tend to be so obscure outside their own regions anyway, it might be helpful to save the pans for major-label drek. I remember a pan on here of an artist I'd heard on the Open Mic side, and a la Eric Taylor, I thought, "Wow. Cold as a home town jail."

Posted by: Joan Kennedy at May 7, 2008 5:22 PM

Registered users can post comments in the blog. Please register or log in to share your views.

Support Folk Alley During Our Spring Fund Drive!

Email:


Password:



Forgot your password?

 

Recent Topics

 

 

June 2009
Sun Mon Tue Wed Thu Fri Sat
   1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30