Macklemore and Ryan Lewis - Rap Stars or Fine Young Troubadours?
February 27, 2014
by Ann VerWiebe, for FolkAlley.com
As I was live tweeting the Grammy Award ceremonies, I couldn't help but notice that the most-folkie song on the mainstage came courtesy of rapper Macklemore and his big hit Same Love. You may not know the duo, but they won multiple Grammys and their songs are topping the charts. There is a standing argument that rap is the new folk - a genre that relies on personal observation and reflection on real-world situations. But, there's something extra about Same Love that builds on that premise.
If you haven't heard the song, it's basically a message rap supporting same-sex marriage. Macklemore, who is straight, has been interviewed as saying that he originally wanted to write the song from a gay person's perspective, but his musical partner, Ryan Lewis, convinced him to tell his own story to add to the authenticity of the lyrics. A lot of press covered the mass wedding that took place at the Grammys during his performance, but while it was obviously a stunt, the event illustrated the truth of marriage equality in the U.S. - like snowflakes, no two couplings are truly alike.
And, isn't truth at the core of contemporary folk music? When Pete Seeger died, I was grateful that the sad event could have a positive effect as we were once more reminded how powerful purpose-driven music can be. One of the reasons folk music became the music of a generation in the '60s was its ability to add power to the protests as it brought like-minded people together in a cause. As folk grew in popularity, the songs were able to reach out into the mainstream and work their subtle magic in offering the world a different point of view.
Gay marriage has been a controversial topic and discussions surrounding its legality often become divisive. But, aren't the best conversations strongly felt? Macklemore and Ryan Lewis' Same Love takes hold of the best traditions of folk activism and moves the music to the mainstage to expose their message to the largest audience. In 40 years, will this be a watershed moment in folk music?
Posted by Ann VerWiebe at 3:49 PM
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New Music for February
New Music for the Folk Alley Collection
For the second month in a row, I'm featuring a young folk artist from Seattle. Washington State is an interesting mix of rural farm country and metropolitan cities. Noah Gundersen reflects this contrast - growing up in a small town and now living in the center of new technology and boutique coffee. His music, which touches on these contradictions in modern life, has found its way to a list of soundtracks. Check Noah out on Ledges.
Leyla McCalla first came to our attention as the cellist touring with the Carolina Chocolate Drops. That band has always made a point of combining great musicianship with the cultural and social history of African Americans and Leyla's new CD follows that path. Vari-Colored Songs: A Tribute to Langston Hughes includes songs created from Hughes' words and original music and tributes to McCalla's Haitian heritage - a country that also inspired Hughes.
It seems amazing that The Haden Triplets is the first CD from this super trio of sisters. The off-spring of legendary jazz bassist Charlie Haden, the young women have made their mark playing in or with The Decemberists, Weezer, Beck, Green Day, That Dog and many others. After playing together live - and backing their dad on his Rambling Boy album - Petra, Rachel and Tanya have recorded a collection of old-time songs produced by Ry Cooder featuring the sister's tight harmony - captured in Tanya's 1900s farm house.
It almost seems as if the world is falling back in love with the banjo. Steve Martin has reinvented himself as a touring picker - and a Grammy winner at that! Martin gained a lot of musicianship cred when he appeared with Tony Trischka, hereforthwith referred to as "the banjo player's banjo player." Trischka is back with Great Big World and the album is almost as big as its name. Welcoming back Martin, along with Aoife O Donovan, Noam Pikelny, Larry Campbell, Abigail Washburn, Ramblin Jack Elliot, and others. As we honor Pete Seeger, Trischka is here to move us into the next iteration of the banjo.
More from February's list:
Suzy Bogguss - "Lucky"
The Sea The Sea - "Love We Are We Love"
Steve Dawson - "Rattlesnake Cage"
Karan Casey - "Two More Hours"
Brandy Clark - "12 Stories"
Will Kimbrough - "Sideshow Love"
Posted by Ann VerWiebe at 12:45 PM
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Folk Alley Sponsors a Documentary at the Cleveland International Film Festival
February 21, 2014
Folk Alley is pleased to announce a new collaboration with the 38th Cleveland International Film Festival. We are happy to sponsor screenings of The Ballad of Shovels & Rope at the festival, which runs from March 19 to 30 at Tower City Cinemas in downtown Cleveland, Ohio. The documentary film captures the tours and detours of a husband and wife as they create and release the critically acclaimed album, O' Be Joyful. From working for tips to becoming "Emerging Artist of the Year," the two-man family band uses ingenuity and hard work to create something out of nothing. Screenings of The Ballad of Shovels & Rope will be at Tower City on March 24 at 7:20 p.m. and March 25 at 12:15 p.m. with a special screening at the Beachland Ballroom on March 23 at 8 p.m.
Tickets go on sale for all films to CIFF members at 11 a.m. on Friday, Feb. 28, one week before the general public (11 a.m. on Friday, March 7). Ticket prices for members are $12 and $14 for non-members. Use the code FOLK for a $2 discount per ticket.
Find out more about the film HERE and the Cleveland International Film Festival HERE. See a live performance by Shovels & Rope recording by Folk Alley at the Nelsonville Music Festival HERE.
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Posted by Ann VerWiebe at 2:04 PM
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A Q & A with Parker Millsap
February 7, 2014
by Kim Ruehl, for FolkAlley.com
Twenty-year-old Parker Millsap is the latest in a string of surprisingly bluesy, literary songwriters rising from the small towns of Oklahoma. Despite his youth, Millsap's insight into the characters that populate his songs is fierce. Whether he's singing about deeply troubling heartbreak in "The Villain" or the desperate evangelism of a street preacher in "Truck Stop Gospel", Millsap's songs seem to understand things about the world that belie his two-decades of life thus far.
Then again, his heroes include giants like Tom Waits and John Steinbeck - no slouches in the world of storytelling and unpacking the motivation of heavily-nuanced characters. Speaking of good company, he has plans in the works to tour with Shovels + Rope this spring, and is working out some dates with Patty Griffin for the summer. Chances are you'll hear a lot more about him as the year goes on. His first nationally distributed disc dropped Feb. 4, and recently he was nice enough to hop on the phone with me and talk a little about the source from which it all springs.
Kim Ruehl: I'm curious about the art inside of the CD - the trucker with the Bible. It follows along with one of the songs, but is that a central image to you, for this album?
Parker Millsap: The artist who did all the artwork is named Tessa Raven, she's from Oklahoma. I basically asked her to do a picture for the album cover. When she did that, I was like wow we should just get her to do all the art. She came up with it on her own. I had an idea for a picture of a guy leaning out of the truck with the bible. I [told her to] do whatever she wanted with that idea and that's what she came up with. I was very pleased. I don't know if that's a central idea, but I think it's one of the stronger songs on the record and that makes it interesting to look at.
KR: It's one of my favorite songs on the record. It's difficult to tell if you're sympathizing with the truck stop gospel guy, or if it's a satire. Do you want to say where you sit on that?
PM: I let people think what they want. People are going to interpret it how they want to anyway. It's fun for me to let them take it. I'm real big on perspective. A lot of the songs on the record are first-person narratives but not from my perspective. I had to get in their heads and be [the characters] to write the song. When I was writing that song, it started out as kind of a funny idea. But ... there are many things about him that at first I didn't think I'd be able to relate to, but by the end of the song I realized there's a lot I could relate to about that guy. It's up to people to decide what they think I mean by it. I've had people come up to me after the show and say "I'm glad you're poking fun at the religious establishment with that song." Other people say, "Praise the Lord! Thanks for doing the Lord's work." [laughs] I like that people interpret it in different ways. I'm never going to say if it's one way or another.
KR: You're a young guy but you have all these insightful songs. What did you grow up listening to and what kind of books and music are you into these days that have given you this sense of storytelling?
PM: When I was growing up, I listened to a whole lot of church music, a lot of gospel music. That was at church and then at home, my dad's a big blues music fan so I listened to a lot of blues and a lot of songwriters like Robert Earl Keen and Lyle Lovett. Then there was this one John Hiatt record that I listened to a lot called Bring the Family. That record and then a bunch of Lyle Lovett, Robert Earl Keen, Ry Cooder, and that sort of thing is what I grew up listening to. Then when I got older and started writing songs, I discovered Townes Van Zandt and John Prine. I'm also a big Springsteen and Waits fan, so it's kind of all over the map. I think the thread through all of those is solid songs that paint a picture. As far as books go, I'm a big Steinbeck fan and a big Vonnegut fan. Those are my favorite authors.
KR: That makes sense. The last few years, we've been hearing great stuff, between you and John Fullbright, Samantha Crain, JD McPherson... there seems to be this big Oklahoma boom going on. Do you have any thoughts on why?
PM: There's nothing else to do here. [laughs] Most small towns don't even have a bowling alley. You've got to find something else to do. Some kids get someone to buy them some Keystone, then they drive around in a field and get drunk. Others sit around and write songs.
KR: What were you listening to when you wrote this record?
PM: A lot of Tom Waits. I don't remember what else I was listening to. I'm always listening to a lot of Tom Waits, so I can say that in confidence. I was also just starting to get into Motown. You can hear it in [some parts] that sound like Motown to me. So I guess Tom Waits and Motown, which might not make sense because it doesn't' necessarily sound like either of those things, but that's what I've been listening to.
KR: Is being on the road inspiring, or do you find it stifling? Do you have time to write when you're traveling?
PM: I'm still new to trying to balance touring and writing and that sort of thing. I haven't written a whole lot since we recorded this record because I've basically been self-managing and this is our first national record release. I've had the whole business side of things to do, which is good because I'm learning how it all works. I can protect myself now. I know what to look for, but at the same time it's consuming a lot of my time and energy. I do like being on the road for finding characters. I've never successfully written on the road, but I definitely collect ideas and fragments of ideas.
KR: Is there anything else you'd like folks to know about you or this record?
PM: Buy it. Buy the record so I can eat a hamburger tomorrow.
Posted by Kim Ruehl at 3:55 PM
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Hear It First at Folk Alley - Cahalen Morrison & Eli West
January 30, 2014
by Kim Ruehl, for FolkAlley.com
Traditional old time, folk, and country-western music isn't necessarily the first thing that comes to most people's minds when they think of Seattle. When the Emerald City gets respect for its rootsy music, it's usually from critics praising the acoustic spirit of bands like Fleet Foxes and the Head and the Heart. But, the truth is that Seattle's relationship with old timey music and trad country goes back far beyond the hipster culture that makes it out of that town these days.
The truth is, there is a robust old time community in Seattle, and Cahalen Morrison and Eli West are among its very best practitioners. Luckily for the rest of the country, they've begun making waves well beyond the confines of that bucket of rain. Part of that is attributable to the fact that their simple and direct sound belies the complex and richly nuanced technical skill in their arrangements. It's folk music for people who aren't folky; it's as playful as it is accessible, as imaginative as it is sincere. They tap into Seattle's honky tonk history (everyone from Laam's Happy Hayseeds to Hank Sr. once upon a time passed through), marrying it with deep roots, Appalachian folk elements, parts of bluegrass and jazz and their own creative imaginations. It's the same stuff that came together to characterize the Northwest's pioneer spirit.
Crank up their latest album I'll Swing My Hammer with Both My Hands, and you can hear that pioneer spirit through the joyful, hard-working, occasionally expansive nature of their songs. "Livin' in America" is equal parts Appalachian fiddle tune and Rocky Mountain rag. The swinging "Natural Thing to Do" is so catchy and slow-dancey, it almost feels like something you've heard before.
Indeed, Morrison and West have proven, over the course of their small handful of records, that they have a knack for making everything they do feel rather familiar. They're not capitalizing on a trend, but are instead embodying the traditional music that is at the foundation of so much of the millennial folk boom.
I'll Swing My Hammer is their follow-up to Our Lady of the Tall Trees, which was a favorite among folk fans and bloggers alike. And, it marks Cahalen and Eli as one of the most reliable singer-songwriter pairs on the circuit.
Posted by Linda Fahey at 5:41 PM
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Pete Seeger: Folk Singer, Educator, Banjo Player, Activist, Good Person
January 28, 2014
The first year Folk Alley went to the Newport Folk Festival, we were all really excited to be there among so many fans of our music. I was most looking forward to seeing Pete Seeger perform. When I was a girl, one of the first albums my mother bought for us was Pete's Folk Songs for Young People - which we played on our portable record player with a stylus the size of a 3-penny nail. At that time, the mid-'60s, the folk revival was being eclipsed by the British Invasion, but Pete's music stayed with me.
Pete, who died yesterday (Jan. 27) may truly be considered the powerful oak of American folk music. He worked with his father, Charles, and stepmother, Ruth Crawford Seeger, as well as folklorist and archivist Alan Lomax as they gathered and preserved folk songs from rural communities - places where folk music truly drew life from being passed between generations. Pete traveled with Woody Guthrie, singing alongside union workers and learning their stories. He wrote or co-wrote songs - "If I Had a Hammer," "Where Have All the Flowers Gone," "Turn, Turn, Turn," "We Shall Overcome" - that are part of the DNA of the American experience.
And, he shared his music (and himself) with people across the country and around the world. His book How to Play the Five-String Banjo is credited for inspiring many to pick up the instrument, giving it a new life in the folk idiom. After he was blacklisted for being a Communist in the '50s, Pete toured college campuses, connecting with the next generation one-on-one. Many younger artists - including Arlo Guthrie - looked up to Seeger, who never liked fame and lived out of the limelight in New York State's Hudson River Valley. He was married to his wife, Toshi, for 70 years (Toshi died in July) and he still performed periodically with his grandson, Tao Rodriguez-Seeger. A three-time Grammy Award-winner, Pete was nominated again this year in the Spoken Word category, but lost out to Stephen Colbert. He was still chopping wood at 94.
As I stood at the back of the Newport crowd, Pete (who had help start the festival with Toshi and George Wein 50 years before) drew the audience - and fellow performers - into one giant sing-along. Thousands of people, good singers and bad, joined together in heartfelt celebration. And, that's what folk music is all about - sharing our lives through the medium of song. Thank you, Pete! May your legacy last for generations to come and the mighty oak you planted keep us strong!
Posted by Ann VerWiebe at 9:29 AM
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Thanks for everything, Pete
Pete Seeger has died at age 94. Along with writing songs that have become iconic and at the soul of the American folk music movement, Pete was a life-long activist and withstood being blacklisted to hold his place as a bonafide legend.
Posted by admin at 6:08 AM
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New Adds For January
January 23, 2014
Stay Toasty with New Music
If I had no idea that Cahalen Morrison & Eli West were from Seattle, I would know anywhere. Their beautiful and skilled songs have a true sense of place that evokes the Pacific Northwest - that despite its big cities, is really a region of mountains and rivers, the ocean and forests. They have an air of the outdoors that travels along with their music. Hear for yourself when Folk Alley presents a First Listen beginning Jan. 28 of the band's most-recent recent release, I'll Swing My Hammer With Both My Hands.
Rosanne Cash's new CD, The River & the Thread, is also tied to a geographic location. The songs, written by Cash and collaborator/husband John Leventhal, were inspired by the South (contemporary and historical). Even though she now lives in California, Cash has an especially emotional relationship to Memphis, where she was born, and her father's home state of Arkansas. Rosanne has a very active life in social media - follow her on Twitter @rosannecash (and while you're at it, follow @FolkAlley).
A longtime songwriter stepping back into the spotlight, Irene Kelley returns with her third solo album, Pennsylvania Coal. Kelley's breakout as a songwriter came at age 19 when she felt the need to sing the glories of her home state in "Pennsylvania Is My Home," which also produced a PBS documentary. When her first solo album went unreleased in the '80s, she turned to writing successful songs for some of the most-popular bluegrass and country stars in the business - including Ricky Skaggs, Loretta Lynn, Rhonda Vincent, Trisha Yearwood and Alan Jackson. The new CD goes back to her roots to tell heartfelt stories of life in coal country.
Parker Millsap adds to Oklahoma's reputation as being home to great musicians. John Fullbright and Samantha Crain are recent adds to a list that dates back to Woody Guthrie and Gene Autry (among others, Blake Shelton, Reba McEntire, Carrie Underwood and Vince Gill are also on the list). Parker's gritty approach to singing and songwriting belies his age. Still in his early 20s, his music sounds like it has already lived a long, hard life. Check in with Parker at the start of what should be a promising career on his debut eponymous CD.
Other new music to hunker down with:
Hurray for the Riff Raff - "Small Town Heroes"
Mollie O'Brien & Rich Moore - "Love Runner"
Blackie & the Rodeo Kings - "South"
De Temps Antan - "Ce Monde Ici-Bas"
Lucinda Williams - "Lucinda Williams"
Jack Williams - "Four Good Days"
Johnny Flynn - "Country Mile"
Hard Working Americans - "Hard Working Americans"
Tim Grimm - "The Turning Point"
Ganey Arsement - "Le Forgeron"
Blue Highway - "The Game"
Julie Lee - "Till and Mule"
Posted by Ann VerWiebe at 3:28 PM
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Five Folk Artists to Watch in 2014
January 21, 2014
By Kim Ruehl, for FolkAlley.com
Sure, a calendar year is a construct that doesn't have much to do with waves of creative expression and music releases. But, that doesn't mean it's any less fun to start a new year with a list of predictions about what's likely to be notable as the months march on.
The artists and bands in this brief list are not brand new, but they all happen to be at a place in their careers where a wider audience and more attention just seems to be in the cards. Whether you're interested in moody, introspective songs or rumpus music that gets you up and dancing, there will be plenty of new life breezing through the folk music world in 2014.
Here are some artists you won't want to miss:
Hurray for the Riff Raff
Granted, this New Orleans-based outfit is not exactly brand new on the scene, but they are poised to become one of the new folk crossover bands this year. Their sophomore full-length album (aptly titled Small Town Heroes) doesn't drop until Feb. 11, but already bloggers and critics are buzzing about the impact of the music it contains. NPR's Ann Powers has a profile of frontwoman Alynda Lee Segarra due this week, while Spin and Village Voice have also shone spotlights on the release. It may just be one of those rare albums on which folk devotees and mainstream critics alike, can agree.
Also from New Orleans, Leyla McCalla's stunning new album Vari-Colored Songs marries together the stirring poetry of Langston Hughes with traditional Haitian folk music and some of her own, original arrangements. Performed mostly on cello and banjo, the disc is part old timey folk, part jazz, part something else altogether. Besides, McCalla has a stamp of approval from friend, collaborator, and former Carolina Chocolate Drop, Dom Flemmons, who hooked her up with the Haitian music that inspired part of this project.
Oklahoma native Parker Millsap has risen to the attention of the folk and Americana communities in the past year or two, fresh out of high school with an intuitive songwriting skill well beyond his years. Now, he's teamed up with the folks at Thirty Tigers for a self-titled full-length debut that places him neck-and-neck with fellow Oklahoman John Fullbright in the arena of gritty, emphatic folk-blues. No doubt the disc will make a mark with unsuspecting audiences across the folk world, and beyond, this year.
James Vincent McMorrow
Following up on the arresting emotionalism of his self-produced debut, Early in the Morning, James Vincent McMorrow has done it again, with a stunning collection of heartbreak songs titled Post Tropical. Though he has bristled at the notion of being called a folksinger, McMorrow's lyrical song-stories fit neatly with more contemporary interpretations of the form. Think Bon Iver and Ray LaMontagne, wrapped up in a cold wind and blown over a grey sea.
This energetic Southern California-based quintet hops on the trail of big-sound duos like Birds of Chicago and Shovels + Rope (the band began as a duo, and still contains a lot of the duo energy). They pull together pieces of old time Appalachian folk with strong harmonies and rhythms to create a bouncy, fervent energy that's starting to make waves. No doubt they'll attract even more attention on the festival circuit this summer.
Posted by Kim Ruehl at 7:00 PM
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Folk Alley's Best of 2013 - Matt Watroba's Top Picks of the Year
December 21, 2013
Matt Watroba's "Best of 2013" - by Matt Watroba, FolkAlley.com
Where did the year go? It seems like just yesterday I was making a list just like this one. As you might imagine, I listen to my fair share of music. What follows are some of my personal favorites from 2013. I usually just list them in alphabetical order, but this year one recording really stood out for me. I will list it first--the rest will be in alphabetical order.
1. Anais Mitchell and Jefferson Hamer
This ambitious project seemed to fall naturally into the laps of these two talented musicians. Anais and Jefferson took these old gems and brought them lovingly into the 21st century. They tell these stories like they were born to it. The images are stark, sometimes wonderfully bizarre, and the arrangements are simple yet still extremely musical--just like they were intended to be. Not only do Jefferson Hamer and Anais Mitchell get it, they figured out a way to communicate the power of these old, traditional songs to a new audience--insuring that they might just live for a few hundred more years. This was my favorite recording of 2013.
2 . Guy Clark
My Favorite Picture of You
Not only is Guy Clark the songwriter's songwriter, he's the songwriter's Energizer Bunny--he just keeps going and going--he also just keeps getting better. Battling health issues and grief over the loss of his life- partner Susanna, this collection of songs is a reminder of how art, and songs in particular, can lift us up and give us perspective on issues like, well, failing health and grief. It doesn't stop there though. Guy surrounds himself with friends who also happen to be some of the best musicians and writers in the country. The result is yet another collection of Guy Clark material to treasure for years to come.
3. Outside Track
Another stellar collection from one of the world's top Celtic bands. The quintet comes by the genre honestly with roots in Scotland, Ireland and Cape Breton. On Flash Company, they take the very best of tradition and infuse it with a contemporary energy and drive that is just plain fun to hear. This is a mix of tunes and songs any fan of Celtic music will enjoy.
4. Kelly Willis & Bruce Robison
Kelly and Bruce have been singing together for a couple of decades and, with the release of Cheater's Game, they have earned a place next to some of the great country duos of all time. Johnny and June, George and Tammy, Conway and Loretta--you get the idea. This record just has the sound. It has the songs as well. Mixed in with the excellent writing by Bruce Robison are songs from Razzy Bailey, Don Williams, Dave Alvin, Robert Earl Keen and more. The result isn't a throwback--it's a fresh look at the future of this time-tested, delightfully entertaining genre.
5. Pharis & Jason Romero
Long Gone Out West Blues
Making beautiful music and beautiful instruments in the wilds of Western Canada, Pharis and Jason have done it again with this collection of traditional and original material. You can really tell they spend a lot of time listening to the old 78's and then carefully making the songs their own. You can also hear the influence of the old music in the songs they write. Long Gone Out West Blues makes two really good records in a row from this talented duo.
I love a well thought out concept record--especially in the hands of master musicians and writers. Shamrock City tells the story of Irish immigration surrounding Seamus Eagan's Great-Great Uncle, Michael Conway. The songs are great, the playing is as good as it gets, and they feature several guest musicians like Rhiannon Giddens and Aoife O'Donovan. This is one of those rare recordings that will sound fresh for many years to come.
Worth a mention...
7. Dave Van Ronk
Down In Washington Square: The Smithsonian Collection
The music has been around awhile, but this 2013 collection was long overdue. The genius of Van Ronk as a guitarist, writer, performer and interpreter shines through on every track of this 3-CD celebration of the mayor of MacDougal Street. Between this, and the upcoming Cohen Brothers film loosely based on Dave's writings, perhaps this musical icon will get more of the recognition he deserves.
Posted by Linda Fahey at 10:50 AM
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